April is the start of summer song season, so there was a lot of fodder for this month’s list. We got new songs from people like Katy Perry, Harry Styles, Paramore, Charlie Puth, Halsey, Lil Yachty, Sean Paul, and every other shlub with a top ten hit to their name. We also got a lot of great new music from old-timers like Blondie, Roger Waters, and members of Fleetwood Mac. Also, Migos. Lots and lots and lots of Migos. But still, not every song can make the list, and here are my top 20 favorite songs released (either as a single or otherwise in a separate capacity from their album) in the month of April.
20) KRYPTONITE – George Maple
George Maple has been bubbling under the surface for about three years now, making waves for her futuristic electropop sound and sultry hook-tipped vocals. This song is no exception. It has the feel of a classic ’90s R&B jam run through a newfangled bleep-bloop machine. It can be jarring at first, but once you really get into it, it’s catchy as hell.
19) GREED – Kemba
Kemba drew some minor buzz as YC the Cynic at the turn of the decade, but his major claim to fame in his current incarnation was being invited on stage and later commended by the best rapper alive, Kendrick Lamar. He’s lyrically dense with a great eye for imagery, though his lyrics occasionally veer towards Hopsin-level preachiness. Still, he’s much more endearing and hard-hitting than Hop’s ever been, and over this sparse, dramatic beat, it’s not hard to see why Kendrick told us to watch out for him.
18) S.H.C. – Foster the People
While Fall Out Boy releases a next-level headscratcher and Imagine Dragons grows increasingly disappointing on an exponential curve, there’s one pop rock act that won’t let us down: Foster the People. The indie rockers who became a phenomenon after the inexplicable success of their 2011 single “Pumped Up Kicks” came back in a major way this month with three new singles, the best of which (in my opinion) is “S.H.C.,” an ethereal funk number about God or a relationship or both. S.H.C. stands for “Sacred Hearts Club,” which doesn’t mean anything. I like all the weird shit going on, the robot choir over the bridge, the three or four different drum patterns on the hook, et cetera. The beat is transcendentally over-the-top, while the vocals are low-key in classic FtP fashion.
17) I’M THE ONE – DJ Khaled feat. Justin Bieber, Quavo, Chance the Rapper, and Lil Wayne
This song turned out to be pretty polarizing, as a lot of Khaled’s releases are, but after going back and forth for a bit, I’m fairly confident I like it. I think it expands on the minimal 2014-era DJ Mustard sound, adding in the pitched-up vocals of 2016 and a little Khaled flair. The hook isn’t particularly catchy, but it’s definitely fun. That’s how I’d describe the song as a whole: fun. It’s easy to get into and keeps you into it the whole way through, although it’s hard not to feel like it’s all downhill after Chance’s “Gucci belt” line. Still, this is essentially what I expected out of a collaboration between these four, and I’m content with it. Everyone does a really solid job except for Wayne, who delivers the longest and most phoned-in verse at the very end.
16) WASTE OF TIME – Snow Tha Product
I’m a big fan of Mexican-American female rapper Snow Tha Product, but I’ve always found her singles hit-or-miss, which is why my appreciation for her is rarely reflected in these lists. Thankfully, “Waste of Time” is gold. It has the feel of a Drake song handled by a somewhat more adept MC. Snow’s flows are great as ever as she tears into the guy she’s currently breaking up with. The beat has a cool urgency to it, and the lyrics are vicious. Snow’s never been a great singer, but the point is more that she is a great rapper.
15) ME ENAMORE – Shakira
I’ve developed a real appreciation for Shakira in the last few weeks. She’s been at it for over 25 years and still manages to churn out great Latin pop on a fairly regular basis. She’s the only act to perform at the World Cup three times, “Hips Don’t Lie” was the most successful single of the decade, and she’s managed to stay relevant all this time and all over the world. “Me Enamore” is a great pop song. It’s got an irresistible hook, cool modern EDM-pop production with a little Latin spice thrown in, and it’s cheesy as all hell. Shakira’s one of the most accomplished musicians alive, and if this song’s any indication, she’s not going anywhere.
14) KILL JILL – Big Boi feat. Killer Mike and Jeezy
There’s this peculiar phenomenon where most rappers worth a damn are weeaboos. It sounds ridiculous, but it’s extremely true. Nicki Minaj nicknamed herself the Harajuku Barbie. Kanye West’s favorite movie is Akira. The Wu-Tang Clan’s entire collective persona is based on kung fu movies. And now Big Boi did a song with Hatsune Miku. Yes, it’s technically a sample, but Miku’s voice is simulated to begin with, so isn’t using a sample of it kind of the same as actually collaborating with her? So yeah, as far as I’m concerned, Big Boi’s working with vocaloids. And so is Killer Mike. And Jeezy. Jeezy only handles the chorus on this song, by the way, which is pretty odd, but since Big Boi and Mike are sort of on a wave here that Jeezy could very easily ruin, I’m good with it. Goddamn, these verses are great. It’s also a really cool beat. It’s interesting how as English speakers, we can filter Japanese vocals into noise and let the English rise to the top, even as two vocalists perform at once. I don’t know. It’s dope.
13) ONLY BROTHER (A SPECIAL REMIX) – Taylor Bennett
Chance the Rapper’s birthday was this month, and his brother got him an incredibly fire remix/tribute. Taylor Bennett seems okay with coming up as Chano’s sibling, but he has a great style all to his own. He’s a little lower, more introspective, with speedier pitter-patter flows. The song is incredibly sappy, aided by a soulful D.R.A.M. hook lifted directly from Acid Rap, and I absolutely love it.
12) WHO WANT IT – David Banner feat. Black Thought and WatchtheDuck
And now for something completely different. David Banner is always a treat, known for his in-your-face attitude and undistilled political raps. Black Thought is one of the best rappers of all time, known for intricate verbal patterns and thoughtful social and political messages. The two come together for a bombastic banger lambasting modern politics (especially Trump) and telling the universe to 1v1 them. If I was the universe, I’d be scared.
11) J-BOY – Phoenix
Phoenix is a French synth-pop band that I’m admittedly ill-acquainted with, but this song slaps. As I understand it, they’ve had a following in France since 2000 and their last album reached #4 on the Billboard 200. Their new track “J-Boy” is infectious and maximal, with great bittersweet lyrics and watery new wave vocals. It’s a song I could see myself coming back to in the future, which isn’t something I can always say about the songs on this list. I love this song a lot and I’m excited to see what else Phoenix has to offer.
10) I BELIEVE – T.I.
“I Believe” was the first track on T.I.’s phenomenal 2016 album Us or Else: Letter to the System (one of my favorites of last year, if you’ll recall) and now it’s out as a single, so I had to save a spot for it. The beat is urgent with a dirty South sound, much like the album itself. It gets you invested, but forces you to confront the powerful, deftly-delivered lyrics about institutional racism in all its forms. It’s the hip hop form of a well-reasoned debate, examining and picking apart arguments against itself and presenting indisputable facts as well as reasonable conjecture leading to its grand thesis. You can break it into a hundred pieces and extrapolate each point out into a research paper. Now that’s conscious rap.
9) TOY BOX – Mylene Cruz (Herizen Guardiola) and the Soul Madonnas
Part 2 of season one of The Get Down dropped on Netflix this month, and it is wild. I personally love it, and I think “Gamble Everything” is the best episode of the whole season so far, though fans have pointed out a glaring issue: this is the least ’70s song ever made. Full of electronic honks and songs that sound overly sexual even to some modern listeners, it’s obvious that this was meant to serve symbolic and marketing purposes (they even had Sia write it) more so than to be authentic. But goddamn is it a banger. I love all of it. I love the wispy pillow talk vocals at the beginning, I love the hook, I love the other hook, I love the break, I love how many times she says “games begin,” the whole thing is a sexy club pop masterpiece.
8) YOUNG DUMB & BROKE – Khalid
In an age where so many young songstresses clamor to be the next Lorde, the artist who’s come closest to the essence of her debut album is actually Khalid. He’s got that unique vocal style, the sentimental Marxist cool kid vibe, the slight twinges of ’80s nostalgia, the works. And while we’re comparing, “Young Dumb & Broke” feels a lot like a more pessimistic version of “Team.” Its subject matter is best encapsulated by the title, but it has a really interesting feel to it, equal parts depressing and catchy as hell, with a sparse, gospel-infused beat. It paints such a gloomy picture that it really makes you cherish when the chorus kicks in and you have something fun to sing along/relate to: being young, dumb, and broke. If you’re not there now, you’ve been there before. Khalid appeals to a universal teen experience, allowing him to appeal to both current young’uns and jaded, nostalgic adults. American Teen represents the American teen.
7) BIKING – Frank Ocean feat. Jay Z and Tyler the Creator
Frank Ocean’s mythos is so grand that it feels like it’s Christmas every time he drops something, even now that we’ve fallen into a regular drop cycle for him. Then again, part of that has to do with the sheer quality of his music. He dropped three new pieces of music this month, and while there’s not a “Chanel” or “Slide” in the bunch, we did get this gem. It’s a viscerally enjoyable, thousand-layered song with the unlikely trio of Frank, Jay, and Tyler discussing, of all things, bicycles. Tyler’s verse is great. Frank’s is. Jay’s… isn’t. Give the old guy a break.
6) FRAGMENTS – Blondie
I’ve expressed a level of fondness for Blondie’s new music a few times now, but holy fuck, dude. This song is shattering. It’s a seven-minute epic of heartbreak and the search for meaning in a void. In researching for this list I discovered it’s a cover of a song by YouTube movie reviewer Adam Johnston (YourMovieSucks), which I had a hard time believing until I heard the original. Needless to say, Blondie improves upon it to a degree, but it sort of blows my mind to think about where this song comes from. It fits the album so well, feels so different and yet so uniquely Blondie. It’s a masterpiece. That’s all I can say.
5) IT’S ALL GOOD – Superorganism
Elusive electronic collective Superorganism garnered attention from Fader earlier this year with their captivating single “something for your M.I.N.D.” Now they’re back with another infectious loosie, just as brilliant and nebulous as ever. The pitch-shifted vocals woven into the tapestry of the production, the stuttering guitars, the tambourine, the alarm clock, the multiple separate ensembles that jump in and out at seemingly-random times, the surprising catchiness of it all; every element of this song is more interesting than the last. You could even say it’s all good.
4) HONOR – DJ Cassidy feat. Grace and Lil Yachty
As much as I admire Lil Yachty’s persona, I never expected him to end up so high on one of these lists. But this is an exceptional month, and “Honor” is an exceptional song. I recommend everyone listen to it; it has an undeniable classic pop feel. It’ll subversively get stuck in your head for days. The way Grace says “Who else is putting up with this?” feels too right to be new. And Yachty’s verse is actually good. It’s really heartfelt and well-written (if it is written, which it seems like it is. The sparse beat feels odd for a song with this much power, but it works a lot better than it should. That’s how I describe this song in general. It works way better than you’d expect.
3) HARD TIMES – Paramore
Another pop rock act who never disappoints: Paramore. For their new album After Laughter, they’re going full ’80s new wave, and I absolutely love it. “Hard Times” is one of those songs that revels in its simplicity, so I won’t have quite as much to say about it, but it’s fantastic. It’s so weird and different and Paramore, yet so classic at the same time. For a song about the worst days of one’s life, this song sure is a musical barrel of monkeys.
2) DNA. – Kendrick Lamar
I know, I’m a stan. I’m hard-line full-stop KenFolk who would sooner listen to Kendrick having sex with my significant other than a rapper of equal talent going HAM and eggs over a beat produced by God himself. But isn’t everyone these days? You can’t walk a meter without hearing a groundbreaking new thinkpiece about how Kendrick might be [gasp] an all-time great. DAMN. has an average critical score of 95%. He’s got two songs in the top 10 right now and at least a dozen more in the Hot 100. But “DNA.” is incredible. The lyrical content, the layers to it, how it functions as a song and in the context of the album, the beat switch. On lyrics alone, it’s some of Kendrick’s finest work. It’s simple and beautiful, irresistible and off-putting. When I listened to it for the first time, I really did say “Damn.” But it’s not #1.
1) SIGN OF THE TIMES – Harry Styles
This song dropped in the first week of April and instantly earned its spot on the top of this list. The music-listening community collectively nutted when it came out. Old heads, Directioners, and everyone in between raved about it. It’s a goddamn magnum opus that suddenly shot Harry Styles to the front of every face and the tip of every tongue. It has the timeless feel of a song that will live on for decades. It’s possible that this is the peak; that Harry will never get any higher than this. It’s certainly a tough act to follow, but for this one glimmering moment, Harry Styles became a legend. His newest single, “Sweet Creature,” is kind of trash, but listening to “Sign of the Times,” it still feels like he could ride this wave to the top of the world. Let’s see where he goes.