Reviews for Normal People

Hi. I review things.

Review: Tarantino Theater with Brie Larson — April 23, 2017

Review: Tarantino Theater with Brie Larson

Free Fire is a film that asks the question “Remember the climax of Reservoir Dogs? What if just that?” It came out of nowhere with eye-popping promotional material, boasts a number of upper-B-list stars, and has the hottest indie production company on the block behind it, A24 (Moonlight, Green Room, The Lobster, every other movie your film buff friends busted a nut over last year). So, how’d it turn out?

Well, I definitely appreciate its premise. As I said earlier, it’s essentially one big climax: Shots are fired in the first half hour and the gunfight continues until the last minute of the film. It’s a great premise for a bottle film, dropping you into a scene and letting you explore the characters and their stories as you find them stuck in a high-intensity situation in an enclosed space. It also works really well as a general Quentin Tarantino send-up, borrowing elements from Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill, and even Hateful Eight.

There’s just one problem: Ben Wheatley is not Quentin Tarantino. A big reason of why those films are all so iconic is because Tarantino is A) a brilliant writer and B) a master of suspense. There are a lot of great laughs in this movie, but the dialogue is just not as captivating as it needs to be to carry a 90-minute film that takes place in a single room. The gunfight too soon becomes a dull hum of gunfire when you don’t even know the characters yet.

Luckily, it gets better from there. This is one of the few action movies I’ve seen where the action wears thin at the beginning and then, very suddenly, becomes captivating. You start to get invested. You root for people. You’re excited by new developments. You laugh, harder and harder each time. One of the bigger surprises of this film is Armie Hammer, who plays by far his most endearing role to date. Brie Larson doesn’t get as much time as she needs, but you still find yourself rooting for her. Sharlto Copley is hilarious as always. It’s really a film that starts out disappointing and only gets better and better. It has perhaps the best ending in film so far this year.

It’s a very mathematical crime movie that also manages to emotionally invest its audience. It’s not perfect, but I still appreciate it a lot. I’ll give it an 87/100. I’m sorry I haven’t been doing as many reviews as I’d like. I have some rather potent thoughts on Power Rangers and Fate of the Furious (they’re both excellent films) but I couldn’t punch them out at the time. Hopefully I’ll be in a more prolific mood some time soon.

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Top 20 Songs of the Month (March 2017) — April 7, 2017

Top 20 Songs of the Month (March 2017)

Ah, March. It’s definitely been an eventful month for me, I don’t know about y’all. We’re just starting to see some of the Song of the Summer contenders seeping through, so we’re definitely seeing a lot of comebacks, with new music from the likes of Gorillaz, Lorde, Drake, Charli XCX, Calvin Harris, Kendrick Lamar, Ed Sheeran, Frank Ocean, and plenty more. Even Chuck Berry put out a new single, and that guy died like, yesterday. But of course, some songs are always gonna stand out as the best, and here are my personal favorite tracks from the month of March. Note: I generally tend towards singles for these lists, so every song on here has been released in some capacity outside of an album, if not technically a single.

20) LOSE MY COOL – Amber Mark

The elusive Amber Mark has been on the come-up since her mysterious first single “S P A C E” dropped last year and caught the ear of heavyweights like Zane Lowe. Given that her new video seems to be literally comprised of home movies, I’d say her reputation as a recluse is probably an overstatement, but she still brings a unique Aaliyah sort of flavor to her music. “Lose My Cool” is sparse, nostalgic, deep, and enjoyable. She’s definitely got a pop sound, but her uniquely moody blend of popping pianos and tribal drums makes for some very interesting tracks. The kid’s going places. Check her out.

19) LONG TIME – Blondie

I’ve been really digging this new Blondie stuff, man. I haven’t listened to any of their more recent albums– apparently, they’re sort of divisive– but I’m definitely interested in their upcoming one, Pollinator. They’ve released three or four songs from it so far, and they’re all pretty good, but I think “Long Time” is the best one yet. It definitely has a timeless feel to it, and it’s written by the brilliant Dev Hynes (a.k.a. Blood Orange), who’s always a gem. It’s a fun-yet-melancholy track that may not stick with you, but won’t ever get old.

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